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Review
April 24, 2026
|
Josh Kerwick
‘Michael’ Is Only Offensive Due To Its Omissions
Arts & Entertainment
Movies
Review
Screen
April 24, 2026
|
Josh Kerwick
‘An Iliad’ Is Brilliant, And Rightly Frustrated At Its Own Relevance
Arts & Entertainment
Review
Stage
Theatre & Performance
April 19, 2026
|
Naomi Lawrence
SISTREN: A Loud, Loving, Unfiltered Ode To Sisterhood
Arts & Entertainment
Review
Stage
Theatre & Performance
April 16, 2026
|
Josh Kerwick
‘Lee Cronin’s The Mummy’ Is Horrifically Unpleasant In The Best Way
Arts & Entertainment
Movies
Review
Screen
April 16, 2026
|
Josh Kerwick
‘Amplified’: An Electric Love Letter To The Rebel-Queen Of Aussie Rock
Arts & Entertainment
Cabaret
Review
Stage
April 12, 2026
|
Naomi Lawrence
‘Pretty Lethal’: A Killer Concept That Doesn’t Look Past Its Pointes
Arts & Entertainment
Movies
Review
Screen
April 11, 2026
|
Josh Kerwick
‘The River’: A Thrillingly Uncomfortable Reflection On Love
Arts & Entertainment
Review
Stage
April 10, 2026
|
Josh Kerwick
‘Fuze’ Might Be THE Dad Movie Of 2026 (Complimentary)
April 7, 2026
|
Mark Morellini
Life Ends Here (I Zoi Etho Teloni) Is A Migrant Experience On Stage Not To Be Missed
April 5, 2026
|
Naomi Lawrence
‘The President’s Cake’: A Slice Of Pressure In 1990s Iraq
April 4, 2026
|
Naomi Lawrence
A Transgender Woman On The Internet, Crying: A Sincere & Gloriously Queer Must-See Hyperpop Riot
April 3, 2026
|
Naomi Lawrence
NIUSIA: A Strangely Warm Reckoning With Inherited Memory
April 3, 2026
|
Josh Kerwick
Zazie Beetz Rocks Too Hard For ‘They Will Kill You’
April 3, 2026
|
Josh Kerwick
‘The Drama’: Cringeworthy, Contemplative & Quite Excellent
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