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CLEAR
Review
November 28, 2025
|
Josh Kerwick
‘Kokuho’: A Sprawling Tale Of Acting, Obsession And Hubris
Arts & Entertainment
Review
Screen
November 28, 2025
|
Josh Kerwick
‘Eternity’ Is A Charmingly Old-School Romantic Comedy
Arts & Entertainment
Review
Screen
November 25, 2025
|
Mark Morellini
‘Nuremberg’ – The Trial That Shaped History
Arts & Entertainment
Movies
Review
Screen
November 22, 2025
|
Josh Kerwick
‘Now You See Me: Now You Don’t’ Is Lame, But That’s Why It’s Kinda Cool
Arts & Entertainment
Review
Screen
November 22, 2025
|
Josh Kerwick
‘Sisu: Road To Revenge’: A Bigger, Bloodier And Funnier Sequel
Arts & Entertainment
Review
Screen
November 17, 2025
|
Mark Morellini
Rose Byrne Is Pushed To The Edge As A Wife & Mother in ‘If I Had Legs I’d Kick You’
Arts & Entertainment
News
Review
Screen
November 16, 2025
|
Naomi Lawrence
‘Keeper’ Hypnotises With Horror And Ends In A Shrug
Arts & Entertainment
Review
Screen
November 15, 2025
|
Josh Kerwick
‘Gravity’ Asks: Can You Love More Than One Person?
Arts & Entertainment
Review
Stage
November 14, 2025
|
Josh Kerwick
‘The Running Man’ Is Perfectly Fine, But It Could’ve Been Great
Arts & Entertainment
Review
Screen
November 9, 2025
|
Naomi Lawrence
‘Predator: Badlands’ Finds Heart Amid The Thrilling Hunt
Arts & Entertainment
Review
Screen
November 8, 2025
|
Josh Kerwick
‘Die My Love’: A Mood Piece That’s Cyclical, Frustrating And Occasionally Brilliant
Arts & Entertainment
Review
Screen
November 7, 2025
|
Josh Kerwick
‘Frankenstein’: Guillermo Del Toro Puts Humanity First In A Fresh Re-Imagining
Arts & Entertainment
Review
Screen
November 1, 2025
|
Josh Kerwick
‘Bugonia’: A Pitch-Black Comedy About Alienation
Arts & Entertainment
Review
Screen
November 1, 2025
|
Naomi Lawrence
‘Shell’: A Deeply Unserious Horror With Style And No ‘Substance’
Arts & Entertainment
Movies
Review
Screen
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