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CLEAR
Review
November 1, 2025
|
Josh Kerwick
‘Bugonia’: A Pitch-Black Comedy About Alienation
Arts & Entertainment
Review
Screen
November 1, 2025
|
Naomi Lawrence
‘Shell’: A Deeply Unserious Horror With Style And No ‘Substance’
Arts & Entertainment
Movies
Review
Screen
October 31, 2025
|
Josh Kerwick
I’m Biased, But ‘Chainsaw Man – The Movie: Reze Arc’ Is One Of The Best Animated Films Of The Century
Arts & Entertainment
Review
Screen
October 26, 2025
|
Josh Kerwick
‘Phar Lap: The Electro Swing Musical’ Is A Bonkers Banger Of A Show
Arts & Entertainment
Review
Stage
October 24, 2025
|
Josh Kerwick
‘Calamity Jane’: Virginia Gay Returns For A Near-Perfect Staging Of A Classic
Arts & Entertainment
Review
Stage
October 17, 2025
|
Josh Kerwick
‘Black Phone 2’ Is Ambitious, Unwieldy Fun
October 17, 2025
|
Josh Kerwick
‘After The Hunt’ Is A Stale Provocation
October 11, 2025
|
Josh Kerwick
‘Fekei’: An Artful Exploration Of Culture And Queerness
October 11, 2025
|
Josh Kerwick
‘Tron: Ares’: Jared Leto Brings Down An Already-Average, Visually Stunning Legacy Sequel
October 4, 2025
|
Naomi Lawrence
‘RENT’ Returns With Grit, Boho Heart And An Electrifying Ensemble
October 4, 2025
|
Josh Kerwick
‘Alcotraz’: An Interactive Night Of Entertainment
October 4, 2025
|
Josh Kerwick
‘Back To The Future The Musical’: A Blast In The Past
September 28, 2025
|
Naomi Lawrence
‘Lash Out’: All-Female Circus Thrills With Raunchy, High-Flying Feats
September 28, 2025
|
Josh Kerwick
‘One Battle After Another’ Is As Bold As Blockbusters Get
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