THE ACT

THE ACT

The Act is not an easy play to watch. This doesn’t mean you shouldn’t watch it, it just means you should prepare yourself to walk out of the theatre more than a little uncomfortable.

What starts of as a mixture of the sort of awkward slapstick usually reserved for the circus, and the laden dialogue reminiscent of a Harold Pinter classic, quickly evolves into a dark analysis of just how far a man can be pushed before he can no longer live with himself.

Set in Nazi Germany, The Act explores the horror of World War II. Its focus on friendship and love is a powerful contrast to the stark reality of the gas chambers, concentration camps and Gestapo agents of the day.

The Australian premiere of Richard Langridge’s award-winning play is brought to life at the Ensemble theatre with a fantastic cast. Mark Kilmurry’s portrayal of Otto Hansen makes him extremely likeable, and provides some much-needed comic relief. Brian Meegan, playing an intensely vile man, is so convincing in his performance, that it’s impossible to look away, while both Daniel Mitchell and Michael Ross give their characters a depth that stays with the audience long after the show.

The Act may not be easy, but then nothing that’s worth it ever really is.

Until Mar 4, Ensemble Theatre, 78 McDougall St, Kirribilli, $29-60, 9929 0644, ensemble.com.au

 

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