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March 15, 2026
|
Naomi Lawrence
‘Good Luck, Have Fun, Don’t Die’: A Stark Sci-Fi Comedy That Can’t Help Itself
Arts & Entertainment
Movies
Review
Screen
March 12, 2026
|
Josh Kerwick
‘The Plague’: A Terrifyingly Accurate Depiction Of Young Toxic Masculinity
Arts & Entertainment
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Review
Screen
March 12, 2026
|
Josh Kerwick
‘GOAT’ Is Beautifully Animated. Why Does It Feel So Soulless?
Arts & Entertainment
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Review
Screen
March 6, 2026
|
Chloe Sargeant
Questions Raised After Tropfest Finalist’s Film Revealed To Be Created With AI
Arts & Entertainment
Screen
March 6, 2026
|
Josh Kerwick
It Would’ve Been Better If ‘The Bride!’ Stayed Dead
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March 6, 2026
|
Josh Kerwick
‘The Moment’: Charli XCX Mockumentary Is A Must For Fans, A Maybe For All Else
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March 3, 2026
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Patrick Lenton
The Rev Bill Crews Documentary The Best of The Best Commemorates 40 Years Of Charitable Work
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March 1, 2026
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Naomi Lawrence
‘Arco’: A 2D Sci-Fi Adventure That Mesmerises And Moves
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February 28, 2026
|
Josh Kerwick
Two Years Into The Gaza Genocide, ‘The Voice Of Hind Rajab’ Is Essential
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February 23, 2026
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Patrick Lenton
More Than 35,000 People Braved The Rain For The Return Of Tropfest In Sydney
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City
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February 22, 2026
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Naomi Lawrence
‘Crime 101’: A Slick LA Heist Thriller That’s Exactly What You’d Expect But Longer
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February 20, 2026
|
Josh Kerwick
‘The Testament Of Ann Lee’: Amanda Seyfried Is Effervescent In Well-Made, Surprisingly Standard Biopic
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Screen
February 20, 2026
|
Josh Kerwick
Catho D’Souza On Her Horror Short ‘I’m Still Here’, Premiering At Tropfest 2026
Arts & Entertainment
Film Festivals
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February 20, 2026
|
Michael James
Pillion: This Gay BDSM Film Starring Alexander Skarsgård Is Bold, Bleak & Beautiful
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