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June 29, 2025
|
Josh Kerwick
‘M3GAN 2.0’: A Mostly Successful Genre Turn For A Surprise Icon
Arts & Entertainment
Review
Screen
June 28, 2025
|
Josh Kerwick
‘The Shrouds’: David Cronenberg’s Vision Of Grief Is Singular, For Better Or Worse
Arts & Entertainment
Review
Screen
June 27, 2025
|
Mark Morellini
‘The Unholy Trinity’ Sadly Doesn’t Restore One’s Interest In Westerns
Arts & Entertainment
Screen
June 21, 2025
|
Josh Kerwick
‘28 Years Later’ Is Full Of Ideas, But Light On Execution
Arts & Entertainment
Review
Screen
June 21, 2025
|
Josh Kerwick
‘Sentimental Value’: A Warm, Hilarious Film About Family And Art
Arts & Entertainment
Review
Screen
June 16, 2025
|
Mark Morellini
Riviera Revenge: Exploring Infidelity Provides Much Laughter in This New French Comedy
Arts & Entertainment
Screen
June 15, 2025
|
Josh Kerwick
Hideo Kojima & George Miller Discuss Storytelling, Their Friendship And ‘Death Stranding’ At Electric SFF Panel
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Film Festivals
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June 14, 2025
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Josh Kerwick
I Can’t Properly Review The ‘How To Train Your Dragon’ Remake, And Here’s Why
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Screen
June 13, 2025
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Sean Cerexhe-McIntyre
In Conversation with Warren Ellis: Infectious Energy & Standing Ovations
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June 12, 2025
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Tara Zhou
‘Angel’s Egg’ Is An Apocalyptic Allegory and Elegy for Faith
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June 12, 2025
|
Mark Morellini
Materialists: A Romantic Comedy That Serves As A Cautionary Tale
Arts & Entertainment
Screen
June 11, 2025
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Staff Writer
A Reel Adventure: Sydney Film Festival Is Back For 2025
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June 10, 2025
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Christine Lai
On Swift Horses: A Dangerous Gamble of Love, Lust, and Liberation
Arts & Entertainment
Screen
June 9, 2025
|
Naomi Lawrence
‘Blue Moon’ Riffs on Lorenz Hart’s Legacy, Not Melody
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