ORPHEUS IN THE UNDERWORLD

Orpheus in the Underworld can best be described as the Opera for those who don’t like Opera, a modern adaptation of Offenbach’s satirical Operetta. From the colourful, witty minds of Phil Scott (trAnnie) and Jonathan Biggins (The Wharf Revue) comes a Libretto riddled with well-executed humour and pop culture references. Throw in some lavish, kinky costumes that include pantyhose, leather, PVC and what you get is a light hearted Opera experience that is not to be missed. The production is Postmodern, filled with references to society while making fun of itself, as well as referencing past acts and even drawing attention to the orchestra – an orchestra that splendidly accompanies the brilliant acting.

It is refreshing to see shirtless cast members without chiselled physique, opting for a more natural look. The cast members enjoy their roles as much as the audience, which creates a loose and accessible experience. Rachelle Durkin (Eurydice) is the clear standout of the performance, her vocal ability is simply stunning and her acting flawless. The chemistry between Durkin and Mitchell Butel (John Styx) during the sexy Act Two bath scene is splendid – Butel won over the audience with both strong vocals and acting talent.

While an enjoyable production for most, there were those who turned their nose up at the gay references. Clearly a Mardi Gras in hell isn’t for everyone despite it being 2013. (LD)

Until March 27, Sydney Opera House, $44 – $185, 02 9250 7777, sydneyoperahouse.com