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Screen
February 28, 2026
|
Josh Kerwick
Two Years Into The Gaza Genocide, ‘The Voice Of Hind Rajab’ Is Essential
February 23, 2026
|
Patrick Lenton
More Than 35,000 People Braved The Rain For The Return Of Tropfest In Sydney
February 22, 2026
|
Naomi Lawrence
‘Crime 101’: A Slick LA Heist Thriller That’s Exactly What You’d Expect But Longer
February 20, 2026
|
Josh Kerwick
‘The Testament Of Ann Lee’: Amanda Seyfried Is Effervescent In Well-Made, Surprisingly Standard Biopic
February 20, 2026
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Josh Kerwick
Catho D’Souza On Her Horror Short ‘I’m Still Here’, Premiering At Tropfest 2026
February 20, 2026
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Michael James
Pillion: This Gay BDSM Film Starring Alexander Skarsgård Is Bold, Bleak & Beautiful
February 16, 2026
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Mark Morellini
6 Unmissable Films At The 2026 Alliance Française French Film Festival
February 14, 2026
|
Naomi Lawrence
‘Plainclothes’: Tom Blyth Commands A Pressure Cooker Of Paranoia And Desire
February 14, 2026
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Josh Kerwick
‘Jimpa’: An Effective Look At The Realities Of Queer Joy
February 12, 2026
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Chloe Sargeant
Wuthering Heights & Charli XCX: Moonlight Cinema Drops Huge March Program
February 8, 2026
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Naomi Lawrence
‘Iron Lung’ Sinks You Into Cosmic Dread But Wearily Bobs Along
February 7, 2026
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Josh Kerwick
‘Sirât’: A Cry For Meaning In A World Full Of Cruelty
February 7, 2026
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Josh Kerwick
‘We Bury The Dead’: A Shambling Zombie Flick That Wastes Its Potential
February 5, 2026
|
Lydia Jupp
Tropfest 2026 Finalists Revealed, With Wildcard Entries Fighting For Final Spot
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