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Screen
November 17, 2025
|
Mark Morellini
Rose Byrne Is Pushed To The Edge As A Wife & Mother in ‘If I Had Legs I’d Kick You’
November 16, 2025
|
Naomi Lawrence
‘Keeper’ Hypnotises With Horror And Ends In A Shrug
November 14, 2025
|
Josh Kerwick
‘The Running Man’ Is Perfectly Fine, But It Could’ve Been Great
November 13, 2025
|
Mark Morellini
Film Submissions For The 2026 Sydney Film Festival Are Open Now
November 9, 2025
|
Naomi Lawrence
‘Predator: Badlands’ Finds Heart Amid The Thrilling Hunt
Arts & Entertainment
Review
Screen
November 8, 2025
|
Josh Kerwick
‘Die My Love’: A Mood Piece That’s Cyclical, Frustrating And Occasionally Brilliant
November 7, 2025
|
Josh Kerwick
‘Frankenstein’: Guillermo Del Toro Puts Humanity First In A Fresh Re-Imagining
November 1, 2025
|
Josh Kerwick
‘Bugonia’: A Pitch-Black Comedy About Alienation
November 1, 2025
|
Naomi Lawrence
‘Shell’: A Deeply Unserious Horror With Style And No ‘Substance’
October 31, 2025
|
Josh Kerwick
I’m Biased, But ‘Chainsaw Man – The Movie: Reze Arc’ Is One Of The Best Animated Films Of The Century
October 31, 2025
|
Mark Morellini
The 2025 British Film Festival Features Their Largest Program of Cinematic Goodness Yet
October 28, 2025
|
Sofie Rasmussen
Sydney Greek Film Festival Announces Special Encore Screenings After Record-Breaking 30th Anniversary
October 23, 2025
|
Mark Morellini
Shelby Oaks: Paranormal Investigators Go Missing In This Truly Unique Horror Film
October 18, 2025
|
Naomi Lawrence
‘Pride In Motion’: Where LGBQTIA+ Dance Shorts Move You
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