The unifying theme of Neil Labute’s Bash, first produced in New York in 1999, is of garrulous monsters confessing to the audience. In three short acts – Iphegenia in Orem, A Gaggle of Saints and Medea Redux, – Labute explores the dark side of humanity, told through sharp monologues delivered by modern-day characters derived from Greek myth.
The first two shorts in Bash are overwrought and insistent, with hyperactive acting directed by Clayton Buffoni. In the first, a mid-level manager (Chad Richards) insists that an act of brutality was a clever career move. In the second, a couple (Jeremy Just and Catherine McGraffin) balance their tale of true love with idiocy and barbarism. Both shorts feel oddly dated, but Labute has built a reputation on overstating and exaggerating human flaws. The third short, Medea Redux, features a sad, careworn woman (Anna James). She recalls her youth with melancholy enthusiasm in a moving monologue and a standout performance. She transforms her from innocent to monstrous with anguished power. While parts of this show are indeed a bash in the head, James’ performance is not to be missed.
Until Jun 11, TAP Gallery, 278 Palmer St, Darlinghurst, $20-28, 1300 438 849, moshtix.com.au
BY OLGA AZAR
