THEATRE: THE ONLY CHILD

Since an accident that disabled their son, Eyolf, Rita and Alfred’s marriage has crumbled into resentment and contempt. When he disappears, this tension quickly surfaces as each is unable to deal with feelings of guilt after emotional neglect over many years. Despite this, they attempt to salvage their relationship by rediscovering what brought them together. A modern adaptation of Henrik Ibsen’s 19th century play, The Only Child is a confronting exploration of marriage: what is kept hidden and the ways people hurt and abandon each other. This is delivered in a polished yet unique style. The performances are top-notch, each actor convincing in their roles, especially in the scenes where years of buried rage erupts through scathing monologues. There are also some stunning moments between scenes that rely on visuals and accompanying acoustics, creating a powerful symbolism for the emotional landscape. Then, at the end, everything is laid bare in more ways than one. While this is uncomfortable, you won’t be able to look away. However, it begins to border on slapstick and combine this with a few more seething exchanges, you may find that you really don’t care that much about these characters. It could have all been reconciled in the first act, making it a play that possibly peaks too soon.

Until Oct 11, Belvoir St Theatre, 25 Belvoir Street, Surry Hills, $23-29, 9699 3444 or belvoir.com.au