Named after an astrological period of upheaval that strikes on the cusp of one’s 30s, Tommy Murphy’s Saturn’s Return aims to examine notions of love, desire, uncertainty and change, but for this reviewer sadly does little more than confuse and frustrate. The ideas Murphy explores are interesting and poignant, especially considering the current social climate, but the script presumes too much of the audience, and pushes boundaries without first laying a solid foundation from which to diverge. Less a linear narrative than a series of loosely bound scenes, the play centres around Zara (played with panache by Leeanna Walsman) as she struggles to tame her growing sense of unease with her relationship and her position in life. She is deeply conflicted, and as she interrogates her existence, we’re taken on a journey through time and space. Murphy delights in playing with logic and allowing Zara’s inner world to impact on what we see on the stage, and while this approach is at times effective in its brazen surrealness, at others it’s just plain tedious. Clearly a talent, as proven by his previous work, Murphy’s earlier collaborations with director David Berthold have been fruitful, so it’s a pity to see this almost hit the mark, but not quite.
Until Aug 30, Wharf 1, Sydney Theatre Company, Pier 4, Hickson Road, Walsh Bay, $30-75, 9250 1777 or sydneytheatre.com.au
