MIDSUMMER (A PLAY WITH SONGS)

In contrast to other cultural gems that have emerged from Scotland, like Robert Louis Stevenson and Trainspotting, Midsummer (A Play With Songs) is a refreshing rom-com by Edinburgh’s Traverse Theatre Company, about two thirty-something strangers who hook up and spend a reckless, impulsive weekend together drinking and gallivanting around the city. Despite the small cast of only actors Cora Bissett and Matthew Pidgeon, director David Greig has created a vibrant production about love, life and stagnation, with poignant songs by cult Scottish indie-rock band Ballboy, and Gordon McIntyre, intertwined through the action allowing the audience to feel empathy with the characters. Described by McIntyre as,  “romantically bruised”, the music in the production is deeply touching and something you’d actually listen to at home, rather than giving the piece a musical spectacle feel.

Both naughty and sexy at times, the versatility of the actors, who play instruments, sing, narrate the action, run marathons around the stage, engage in feisty sex scenes and each perform a variety of roles, ensures their brave and energetic performances. Almost sickeningly sweet at times, but flecked with a wry Scottish humour, the simple script will spark familiarity in the hearts of audience members. Mumbles of agreement from the audience were heard when the characters agreed that, “love is just another word for greed.” But the ultimate message of the wildly entertaining Midsummer is hopeful and uplifting – that despite mid-life crises, bitter disappointment and feeling like your life is stuck, change is always possible.

Until Mar 10, Drama Theatre, Sydney Opera House, $45-90, 9250 1777, sydneytheatre.com.au

BY MARILYN HETRELES