Cerith Wyn Evans’ ‘…in light of the visible’ Revives Artistic Expression

On his first solo exhibition in Australia, London-based Cerith Wyn Evans showcases the portrayal of contemporary constructed environments at the Museum of Contemporary Art (MCA).

One of today’s most significant contemporary artists, Evans’ sculptures and installations explore the relationships between language and space, time and perception, thought and meaning. His abnormal and conceptual work constructs models of perception that are influenced by cultural scenes and interactions with modernity.

Evans has created multiple site-specific works for his MCA exhibition, engaging with the light, soundscapes and natural environment of Warrane (Sydney Harbour), including Still Life (In course of arrangement…) (2025), which features plants native to the area. Alongside it, the neon light installation Sydney Drift (2025) subtly shifts light patterns throughout the day, and over the season of the exhibition.  

Within Evans’ memorable exhibition, the museum has opened a variety of public programs, including performances, guided walks, and morning tai chi, encouraging visitors to contemplate their own journey through space and time. 

Exhibition will remain in the “minds and bodies” of visitors

Breaking into the industry as a filmmaker, Evans portfolio is characterised by its focus on language and conceptual clarity. His experience in producing experimental films in the late 1970s allowed for development within his interplay with art and reality, creating a morphed and subjective perception of what is visible.

Drawing upon traditional Japanese Noh theatre, Evans’ work entertains to transform human perception through energetic and fluid, and as gestures suspended in space.

“MCA Australia has a long history of creating memorable encounters with the art of our time and introducing to the public in Australia the work of some of the world’s most important living artists. Cerith Wyn Evans is part of that rich and continuing history,” said MCA Director, Suzanne Cotter.

“His exhibition created for the MCA and its unique context on the shores of Warrane/Sydney Harbour is a polyphonic immersion into a world of light, sound and pure poetry which will amaze and enchant visitors and remain in their minds and bodies for many years to come.”

Exhibiting his work internationally, Evans’ contemporary exhibition in Sydney embeds itself into the culture of subjectiveness, utilising large scale light and sound installations designed for perceptive reflection and human experience.

… in the light of the visible is showing at the MCA from 8 June to 19 October.