REVIEW: La Sonnambula

When you think of opera you think of flamboyant costumes, a 60-piece orchestra, extravagant sets and bulging production. Operantics – a fledgling, young artist-run opera company – can only dream of such resources, and must opt instead for a “lite” staging.

Make no mistake, though – while it may be trimmed of the fat, it retains all the intensity of flavour.

Their recent production of La Sonnambula at the Independent Theatre in North Sydney featured only a piano, authentic but basic costumes, simple lighting effects, and a projected backdrop with line-drawn scenery. And yet, it was absorbing and genuinely entertaining.

Nathaniel Kong elicited the depth and range of a full orchestra from the Steinway concert grand. Michael Butchard as Elvino stilled the air with his mellifluous voice. Joelene Griffith sang an endearing and engaging Amina. The swarthy, sultry Christopher Nazarian heated the stage with his smouldering sexual energy and cavernous tones. Katie Miller-Crispe, Jermaine Chau, Christopher Curcuruto and Daniel Folesi completed the high calibre lead cast. The chorus of villagers, who became as prominent as the leads in this intimate setting, were equally strong of voice and personality.

The Independent Theatre, a beautifully restored Art Deco theatre, added something extra to the experience with it’s sense of grandness and impressive acoustics.

Keep an eye out for Operantics’ next production. It’s an affordable, accessible way to enjoy opera without compromising on class. (RB)

Info: www.operantics.com.au

BY RITA BRATOVICH