LE HAVRE

LE HAVRE

Finnish director Aki Kaurismaki stays in line with his distinctive retro style and deadpan humour, in his new touching comedy Le Havre.

Marcel is an ageing, poor shoe-shiner living a simple life in a small fishing town, alongside his wife Arletty. One day he meets an African boy hiding from immigration authorities after arriving at Le Havre by cargo ship on his way to London. Marcel begins to leave food and money for him while in hiding. When Arletty is suddenly taken to the hospital, Marcel hides the boy, Idrissa, in his house, and takes it upon himself to help him find his family.

This endearing film has all the elements that make Kaurismaki’s films unique, with beautiful, yet understated acting, and a quietly brilliant directing style.

The characters’ development remains minimal and somewhat two-dimensional, which lets the film lose momentum at points. Overall, this comedy is thoroughly enjoyable and refreshing in style.

The timely theme of immigration in Europe also adds a minor political touch. (HP) *** ½

 

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