Conclave: Striking Reds & Stellar Cast Elevates Sinfully Suspense Drama
Edward Berger’s Conclave brings Robert Harris’ novel to life, exploring the chaos following the Pope’s death. Cardinals from around the world gather at a secretive sequester in the Sistine Chapel to elect a new pontiff but what begins as a solemn ritual spirals into a high-stakes power struggle that kind of feels like a reality show (think Italy’s Next Top Pope).
Secrets, ambition and unexpected alliances unfold in this gripping mix of political thriller and character drama.
From the start, Conclave hooks audiences with tense violins and striking visuals, setting the stage for a thriller evoking an Agatha Christie mystery as secrets are unveiled real-time.
In a similar vein, its confined setting and roiling tension is reminiscent of 12 Angry Men. The story also dips into unexpected humour–vaping cardinals and sharp gossip– as we are let into this world of surprising cattiness among holy men, oddly similar to a Catholic Mean Girls.
Yet the film remains intensified as much more seemingly bubbles under the surface.
All-star ensemble cast and striking shots carry tense papal thriller, Conclave
At the centre of the drama is Thomas Lawrence, played by Ralph Fiennes, who embodies the role of a conflicted dean of the College of Cardinals. Fiennes truly shines with a subtle yet compelling performance, conveying doubt (a recurring theme), supposed ambition and internal struggle. With a contemplative intensity and Fiennes’ evocative eyes, Lawrence’s journey from impartial overseer to a man consumed by the very politics he despises makes for a fascinating watch.
Stanley Tucci and Sergio Castellito, add further depth as cardinals Bellini and Tedesco with their contrasting performances, representing liberal and conservative factions.
Castellito’s larger-than-life performance in particular commands attention with every brooding look and scathing comment.
Isabelle Rossellini, though limited in screen time, leaves an impression with her quiet strength, symbolising the significant power of often invisible women within the church.
Breakout star Carlos Diehz truly impresses as the mysterious Father Benitez, shining with a resilient and mysterious intensity leaving a lasting impact.
The film’s visuals capture the grandeur of its settings, with storied Italian architecture and the Sistine Chapel’s art serving as a stunning backdrop. Berger skillfully utilises vibrant reds and confined spaces to heighten the tension. Every shot feels meticulously composed, drawing audience into the shadowy intrigue of the conclave.
Despite its flaws, Conclave‘s world of sinful intrigue is a worthwhile watch
Conclave critiques the church’s power, corruption, and divides created by human institutions while examining its potential and resistance for progress. Lawrence’s assertion that “Certainty is a sin, the greatest enemy of unity” resonates as external tensions seep into the conclave’s isolated bubble.
Conclave thrives on its all-star ensemble cast’s immersive performances, striking visuals and unexpected humour while exploring faith, power and human frailty. While it it might not leave you at the edge of the seat, it keeps you close enough with substantial intellect and religious discourse, as Berger’s slow-burn approach maintains a steady air of anticipation.
Ultimately, Conclave leaves you wanting more, as the unravelling of its characters doesn’t fully deliver on the plot’s potential. But while it doesn’t break new ground amid papal thrillers, this glimpse into the secretive world of cardinals–full of politicking, smoking and surprises–is as fascinating as it is entertaining.
For fans of layered drama and suspense, Conclave offers a compelling peek behind the Vatican’s curtain, blending tension, wit and insight, that’s well worth watching.
★★★½
Conclave will be out in theatres on 9 January 2025.
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