Ron Mueck’s Disturbingly Lifelike Sculptures Are Wandering the Art Gallery of NSW, For One More Week!

Ron Mueck’s Disturbingly Lifelike Sculptures Are Wandering the Art Gallery of NSW, For One More Week!
Image: Installation view of the Ron Mueck: Encounter exhibition, featuring Dark Place 2018, ZAMU, Amsterdam. © Ron Mueck, photo © Art Gallery of New South Wales, Felicity Jenkins

Just six days remain to behold Melbourne-born sculptor Ron Mueck’s haunting exhibition at the Art Gallery of NSW. The exhibition, entitled “Encounter”, hosts a number of hyper-realistic sculptures of humans and animals, some miniature, some life-size, and others… well… much larger than life. 

So, why see the exhibition? Well, aside from being the internationally-acclaimed sculptor’s first Sydney exhibition since 2003 (and an exclusive one at that), it is also deeply disturbing (in a good, must-see kind of way).

“Many of Mueck’s works are uncanny,” said UNSW Psychology Professor Lisa Williams. “His sculptures are superbly realistic. The wrinkles at an elbow. The whites of the toenails. The curve of a nose. […] Many pieces are too large, or too small, to actually be human. The viewer’s mind is trapped: how can the sculpture seem so real but also be so obviously not real?”

Mueck’s faces are known to be so real that they are no longer admired as art, but as thinking, feeling creatures. Viewers can’t passively engage with them, because they are so optically human that one can’t help but feel stuck in an encounter with them, like at any moment they could turn and observe you right back. 

Professor Williams recalls one such artwork that gave her a particular scare. “My visceral reaction to Dark Place, a large 1.4 metre face of a man with a menacing expression, epitomises the uncanny valley. Just as soon as I stepped into the darkened viewing area, I backed away quickly, saying “nope!” (hopefully quietly) to myself. Yes, I knew he wasn’t real. But he felt so real.”

Of course, Mueck’s works are not just creepy. Each sculpture arrests the viewer with an entirely distinct emotion, from the mundanity of a morning stretching routine to the melancholy of observing one’s own slumped reflection.

Encounters will undoubtedly draw huge crowds and flood our social media channels,” wrote Gina Fairley for ArtsHub. “It will touch people, and it will be lasting. And, just maybe, it will also remind people that through our actions of kindness we might contribute to lightening the burden of this world.”

For your chance to observe Mueck’s marvelous sculptures up close, secure your tickets now. The exhibition will run until April 12.

 

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